INSERT2014 was a profoundly disquieting experience for me. Under one roof there were photographs, videos, art installations, room installations, performances, screening and conversations: the anomalous, the common, the political and the luminous leaping into each other, bouncing off each other, making puny each other’s despair and the violence of our world. ‘The ability to exchange
INSERT2014 is a provocative space put together by a collection of enchanting processes that have been intensively engaging with different materials through years of rigorous research, severe exercises, and precise deployment of chance. Particularly in mind are Eyal Weizman’s journeys in architectural forensics, Ivana Franke’s drills with light, and Tomas Saraceno’s chances with a group
To put it simply, light constructs the environment around us. I am interested in how people see light and how light constructs images before us, which makes us perceive certain things a certain way. So for example, if I switch off the light right now, the context changes completely of how we communicate and/or of
“INSERT2014: The Sharp Edge of the Global Contemporary” rethinks the use of galleries and the infrastructure of the city. The exhibition at the art space Mati Ghar is an example of diversifying art practice, comprising multimedia artworks and site-specific installations within the spatial context of the uniquely designed gallery. INSERT2014 featured in Art Radar Asia.
“[Last Minute Exercise] is a coming together of a wealth of knowledge. And when one comes here, you will have lots to choose from. If you want to be in conversation with the expert, you can book online or come here and get the help of the person on the counter to choose your expert.