Annotation {02} The Strength to Tell Stories

INSERT2014 was a profoundly disquieting experience for me. Under one roof there were photographs, videos, art installations, room installations, performances, screening and conversations: the anomalous, the common, the political and the luminous leaping into each other, bouncing off each other, making puny each other’s despair and the violence of our world. ‘The ability to exchange

Annotation {01} Possibilities and Impossibilities in INSERT2014

INSERT2014 is a provocative space put together by a collection of enchanting processes that have been intensively engaging with different materials through years of rigorous research, severe exercises, and precise deployment of chance. Particularly in mind are Eyal Weizman’s journeys in architectural forensics, Ivana Franke’s drills with light, and Tomas Saraceno’s chances with a group

INSERT2014 in Art Radar Asia, by Kriti Bajaj

“INSERT2014: The Sharp Edge of the Global Contemporary” rethinks the use of galleries and the infrastructure of the city. The exhibition at the art space Mati Ghar is an example of diversifying art practice, comprising multimedia artworks and site-specific installations within the spatial context of the uniquely designed gallery. INSERT2014 featured in Art Radar Asia.